Murther, Murther! Murder?

murther

If you sometimes wonder about present day newspaper coverage of crimes before they go to trial, things could be worse.

This account (1641) of a supposed poisoning of a man by his wife and their landlady offers evidence, persuasion of guilt and straight to the judgement on the first page and all apparently before the woman had gone to trial!

The account reads like a ‘fire and brimstone’ sermon lamenting that ‘a daughter of Jerusalem hath committed an abomination’. We are told that one Anne Hamton of the Parish of Saint Margaret’s, Westminster spent all of her husband’s money in riotous living and when her good (and a little dull) husband begs her to leave off drinking and spending, she plots to poison him on the advice of the wicked landlady Margaret Harwood. He begs her ‘oh wife, wife, take counsell by me thy hitherto loving husband, forsake that company which hate not thy body, but soule, do not drink healths to thine own confusion, nor with so greedy an appetite swallow thine own destruction’ (p3). The poor man comes to a painful end but the evil deed of the women is soon discovered.

This may be a cautionary tale rather than a factual account. Court proceedings were not written down until the 1670s and it wasn’t until the 1750s that (nearly) every case was recorded.

Guildhall Library holds many of these short accounts of criminal activity which were printed and sold as a private enterprise and had nothing to do with the formal legal system. Some offer confessions or speeches purported to come from criminals about to be executed, sometimes ‘from the ladder’ just before they were hung.

One of my colleagues has suggested that this woodcut illustration is far older than the 1641 publication. The clothing depicted suggests an earlier date. Perhaps the workshop which did the printing owned the woodcut illustration and as it was to hand made use of it.

‘Murther, Murther!’ can be ordered at the library using reference A 1.2 no1 in 12.
This and other ‘accounts’ can be found on the library catalogue and you are welcome to visit to read them – just bring along proof of your name and address.

Jeanie Smith
Assistant Librarian

The Monster Globe

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The idea for the ‘Great’ or ‘Monster’ Globe was conceived by MP, Charing Cross map maker, & Geographer to the Queen, James Wyld (1812–1887).

Wyld originally intended the Globe to be displayed at the Great Exhibition of 1851, but problems around the lighting and size of the exhibit and Wyld’s desire to use it as an opportunity to promote his mapmaking business, ended in his having to develop his idea as a separate scheme. The concept had been in his mind for some time but the announcement of The Great Exhibition convinced him to bring his idea to fruition.

James Wyld entered Parliament in 1847. As the Liberal MP for Bodmin he “rapidly acquired a reputation for independence and outspokenness, particularly in the discussion on the Public Libraries Bill when he roundly accused the agricultural interests of opposing public libraries because they feared that libraries might divert the poor from drinking and so decrease the nation’s malt consumption” (Hyde, 119).

Wyld seems to have been a contentious figure whose activities often ended in disputes, the ‘Globe’ venture being no exception, with legal wrangles ensuing with architects, builders, residents and creditors.

The plan is put into action

Wyld acquired a ten year lease on ‘garden’ land in Leicester Square for £3,000, (around £286,600.00 in 2014 values). In spite of local opposition, Wyld began to build the largest model of the Globe ever attempted. The original design was made by Edward Welch but this was later scaled down and substantially altered by H R Abraham. Welch’s design was thought unaffordable and perhaps unachievable.

The building which housed the Globe was 90 feet across, and the Globe within was 60 feet 4 inches in diameter. It was built over a statue of George I which stood in the square and by the time the statue was dug up again, some ten years later, it had suffered a great deal of damage. The Globe was lit by daylight from the centre of the dome and by gas at night, the latter being problematic for the Hyde Park site.

When news of the intended project emerged, there was enthusiasm as well as some incredulity and amusement. Punch suggested that before building commenced, a party of huntsmen should be hired to exterminate all the cats living in the square, they also suggested that neighbouring housetops could be used for a display of the solar system and that visiting foreigners could be accommodated inside the Globe with lodgings corresponding to their relevant countries. In fact some of this was not so very far beyond Wyld’s own ambitions!

Construction of the Globe began in early March 1851. Hyde records an eyewitness (unnamed) reporting that “Amongst the great ribs of the growing structure a number of gas jets flared brilliantly, and made the struggling grass and shrubs greener than ever before. A few men were mysteriously moving amongst the ribs which looked like the skeleton of some enormous fish lying stranded” (Hyde, 120).

ILN Wyld 22 March 1851“Mr Wyld’s Large Model of the Earth.” Illustrated London News (22 March 1851): 234.

Plaster modelling on the inside of these ribs depicted the earth’s surface. This ‘concave’ view enabled the visitor to see all the physical features of the world when viewed from a series of staircases and platforms.

The visitor experience/public reception

ILN Wyld 29 March 1851 (2)

The public flocked to the Monster Globe when it opened on 2nd June 1851. Hours of opening were 10am to 10pm on every day except Sunday and the entrance fee was one shilling. The large circular building had four entrances on the four sides of Leicester Square. Upon entering visitors found themselves in a circular passageway filled with Wyld’s maps, atlases, and celestial globes.

The convex side of the Globe was painted blue with silver stars and much of the interior design was by the theatrical scenery designer William Roxby Beverley. The interior was navigated by stairs and galleries; the world surrounding the amazed visitor who could see the oceans, the snow topped mountains and erupting red topped volcanoes (cotton wool was used to suggest the smoke).

Wyld’s giant ‘Model of the Earth’ was a great success and the attraction was so successful that in 1852 Wyld tried to get an Act of Parliament to authorize him to retain the building in Leicester Square but failed.

After the Great Exhibition

Wyld tried a series of strategies to increase visitor numbers, especially after the Great Exhibition closed. It was promoted as an educational experience and descriptive lectures were given throughout each day. In 1853 Wyld and the Globe were the subject of a scandal involving a display of fake gold in his Australian gold fields diorama, which may or may not have been ‘engineered’ to increase public interest in the attraction. Wyld created several new displays for the Globe including a model of the Crimea during the war (1853-1856) showing the position of the troops, day by day. It was his most successful exhibit and thousands visited to follow the War’s progress.

Wyld’s struggle to renew the lease on the land at Leicester Square finally failed and in 1861 the Monster Globe was taken down and sold for scrap. Legal wrangles followed the closure when Wyld failed to restore the gardens as promised.

Reports, keepsakes and guides on the Great Globe at Guildhall Library

The Library holds guides, journal articles and keepsakes on the Great Globe including:

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Notes to Accompany Mr Wyld’s Model of the Earth. Leicester Square. 1851 which was written by Wyld to promote the attraction (and his map business) and dedicated to HRH Prince Albert. The dedication celebrates past discoveries and the support for geographical research offered by Queen Victoria and Prince Albert. The ‘Notes’ are full of descriptions of countries, continents and oceans to accompany the exhibition as well as detail on the purpose and construction of the Great Globe itself.

Wyle Notes 4This charming illustration below is from The Little Folks Laughing Library “The Model of the Earth” 1851 by F W N Bayley.

Bayley - The Little Folks Laughing Library Model of the Earth (1851) (1c)

Having admired the alligator on his visit to Egypt, Jack exclaims:

“One enormous alligator

Kept me, I think, rather later;

For I thought he’d swallow me, bones and all,

And then I couldn’t have come at all!”

Frederick William Naylor Bayley (1808–1852) was the first editor of the Illustrated London News but also wrote verse for newspapers, popular song lyrics and fiction. He was nick-named ‘Alphabet’ and sometimes ‘Omnibus’ Bayley.   The volume is written in verse and dedicated to James Wyld Esq. MP

“For we’re told that a man uncommonly WYLD

Has built up a Globe there for every child”

Find out more

There were reports on the Great Globe which you can search online or read in hard copy at Guildhall Library. Our collections include contemporary periodicals including The Illustrated London News and The Builder as well as numerous guides to London published to co-incide with the Great Exhibition e.g. The British Metropolis in 1851: a Classified Guide to London: so arranged as to Show, in Separate Chapters, Every Object in London Interesting to Special Tastes and Occupations. London : Arthur Hall, Virtue 1851.

Jeanie Smith
Assistant Librarian

References

Bayley, F. W. N. (Frederic William Naylor) The Model of the Earth 2nd ed. London : Published for the author by Darton and Co, 1851.

Hyde, Ralph. “Mr Wyld’s Monster Globe.” History Today 20.2 (February 1970): 118-123.

“Mr Wyld’s Large Model of the Earth.” Illustrated London News (22 March 1851): 234.

“Mr Wyld’s Globe in Leicester Square” Illustrated London News (29 March 1851): 247-248.
“Mr Wyld’s Model of the Earth.” Illustrated London News (7 June 1851): 512.
Timbs, John. Curiosities of London: Exhibiting the Most Rare and Remarkable Objects of Interest in the Metropolis; with nearly Sixty Years’ Personal Recollections. London : J. S. Virtue & Co, 1867.

[Wyld]. Notes to Accompany Mr Wyld’s Model of the Earth. Leicester Square. 1851.

 

Remembering the First World War

To commemorate the centenary of the start of the First World War, Guildhall Library currently has three free exhibitions: From Beef Tea to Battleships: Personal Stories from the First World War; The Remembrance Image Project and Poppy.013We knew we wanted to focus on the individual for our exhibition to mark the centenary of the war and were lucky enough to have some fascinating objects loaned to us, including a memoir, a torch which saved a soldier’s life and an autograph book. Looking through these items, and through books from our own collection, was a very humbling experience. From Beef Tea to Battleships is a result of this research and features the objects that best reflect the experiences of the people who lived through the war.

One person who features in this exhibition is William Greenall Coe, known to his family as ‘Boy’. He began his training as a naval rating at the Naval Barracks in Chatham on 3 May, 1912 and qualified as an Engine Room Artificer 25 days later. He served on the first submarines in the Navy during the First World War and wrote to his mother almost every week. On display are letters from Boy and documents relating to his experience of the war, as well as letters from those he knew, in particular relating to his death in 1917 from double pneumonia and consumption.

While we can trace the life story of some of the people featured in the exhibition, we also have objects on display from people we don’t know much about. Some only bear the initials of those they belonged to, but each item reveals something that may otherwise have been lost forever.

022The exhibition also features a military bugle on loan from the Horniman Museum and Gardens as part of their Object in Focus project. The bugle is best known as the instrument which sounds ‘The Last Post’ to honour those who have died – we thought this seemed particularly fitting with the theme of the exhibition.

The Remembrance Image Project is a contemporary photography exhibition by Simon Gregor. Simon has been taking pictures of sites associated with the conflict on the anniversary of when they saw action. From poppies to battlefields, he has aimed to capture the spirit and emotion of each location. The photographs displayed are from the research phase of the project.

028Poppy is an installation by floral artist Rebecca Louise Law and her team. Rebecca has worked with us before to create a beautiful display for the Worshipful Company of Gardeners exhibition, and we were delighted when she agreed to create something to commemorate the war. We had the idea to use paper poppies from The Royal British Legion Poppy Appeal to create a curtain through which people could walk, seeing the poignant poem In Flanders Fields at one end of the tunnel, and the bugle at the other. Visitors are encouraged to use this space for remembrance and contemplation, and to pick a flower from the curtain – please leave a donation to The Royal British Legion in return.

Accompanying the exhibitions is a series of events on different aspects of the war, from memorials and women’s poetry to the effect on letter writing. We hope you get to visit the exhibition or attend one of the events and learn more about the extraordinary sacrifices made by men and women in the First World War. The exhibitions are available to view until 12 November.

036Amy Randall,
Events and Exhibitions Officer

 

 

The monster album

Working as a librarian you quickly become accustomed to books regularly being requested by a description, rather than a title. “I’m looking for a book, I saw it here before, I don’t remember the title but it was a small red book”. Happily, after a few probing questions, the relevant book can usually be located!

Indeed some books are commonly known by a descriptive title, for example, the ‘the blue book’ is the annual City of London directory & livery companies guide and the ‘white book’ is the legal publication Civil procedure.

Guildhall Library’s ‘hairy book’ has now been transferred to the archives at London Metropolitan Archives (search for Reference Code: CLC/313/B/012/MS25501 on LMA’s catalogue for more info! ), much to the relief of some of my more squeamish colleagues.

‘The bible’ is an indispensable (to Guildhall Library staff at least!) staff manual containing information about Guildhall Library policy and practice between 1930 and 1980.

Another book in Guildhall Library’s collection is best known by the description, ‘the big book’ or the ‘giant book’, or, as we have recently discovered, ‘the monster album’!

Here it is:

005‘The giant book’ is the largest book in Guildhall Library’s collection. It measures 3 foot six and a half inches high and 5 foot 3 inches wide. It is 8 inches deep.

014The cover of the book is so large and so heavy that it takes two people to open it – two handles are built into the cover of the book to assist with opening.

025‘The giant book’ is unfortunately too large to be consulted or displayed in the Library. On the rare occasions it has to be moved it takes 8 (fairly strong!) individuals to manoeuvre it. However, you can sometimes glimpse ‘the giant book’ taking up a whole shelf in the Library’s book stores during our monthly ‘History and Treasures of Guildhall Library’ tours. (You can book for these tours via www.ghlevents.eventbrite.co.uk).

Here is what can be seen if you can find another person to help you open the book!

023The end papers of this book are actually made of a vibrant pink silk, rather than paper. Another book is shown here along with a £20 note to give you an idea of scale.

And the contents of ‘the giant book’? Well inside this book is actually blank! The book is an album which was produced as an example of fine binding for the 1862 International Exhibition. It shows a range of types of binding, including this inlaid leather binding, tiny leather squares make up the flowers in a mosaic effect.

035Recently while undertaking research for an enquiry I came across a reference to the ‘The giant book’ in the Report of the Librarian and Director to the Library Committee from 1941. This not only provides the additional information, not previously noted in our records, that this album was made by Mr Charles Rollinger, but also reveals it nearly came to a fateful end that year:

“One of the most inappropriate gifts ever made to this Museum was a monster album presented to your Committee after the great exhibition of 1862, made by Mr Charles Rollinger as a specimen of mosaic binding, and weighing about 700 lbs; it consists of nothing but blank paper of fine quality. In these days of shortage, I cannot think it is right to keep lying idle this quantity of material so greatly in demand, and I venture to suggest that, if the covers and the dedication may be preserved, the contents could be put to some useful war purpose.” (Report of the Librarian and Director to the Library Committee, 6 October 1941, page 242).

While sympathising that during wartime this album represented a ‘waste’ of fine paper, we cannot help but be pleased that, for whatever reason, Guildhall Library’s ‘giant book’ was not put to “some useful war purpose” and is still in the collection over 70 years later.

Rosie Eddisford
Assistant Librarian

 

Happy 120th Tower Bridge!

084We’re wishing a hearty Happy 120th Birthday to our friends at Tower Bridge this month – on the 30th of June to be precise. To celebrate, we have digitised a copy of a lovely little book from our collections, published exactly 120 years ago to mark the opening: ‘Photographs of the Opening of the Tower Bridge, London, June 30th, 1894: by Their Royal Highnesses the Prince & Princess of Wales(London: Talbot, 1984).

078This little tome contains 24 black and white images from the big day itself, creating a real overview of the day. The photographs commence with one of the bridge at 9.30am on the day, then go on to document ensuing events, showing the opening of the bascules and various vessels passing through the bridge, with the final image taken one hour after the ceremony.

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We have created a Pinterest board showing each page from the book – which you can view at: http://www.pinterest.com/guildhalllib/photographs-of-the-opening-of-the-tower-bridge/

But you can of course view the item in real life here at Guildhall Library!

092Don’t forget to visit Guildhall Art Gallery’s striking exhibition of images depicting Tower Bridge throughout the years: 120 Years of Tower Bridge (1894-2014). Paintings, illustrations and photographs show how artists have perceived London’s iconic bridge over the last 120 years, and some engineering plans and ephemera are also on display. You can read London Historians’ excellent review of the exhibition here

Charles Pears (1873-1958), Blitz. Our London Docks, 1940, oil on canvas. Guildhall Art Gallery, City of London.

Charles Pears (1873-1958), ‘Blitz. Our London Docks’, 1940, oil on canvas. Guildhall Art Gallery, City of London. © The Artist’s Estate.

The exhibition is free and runs from 31 May to 30 June. And if you can’t make it in June the good news is that it is returning again during the Totally Thames festival, and will be on show from 12 September to early January 2015.

And if that’s not enough London bridges for you, the Museum of London Docklands’ Bridge exhibition will run from 27 June to 2nd November. Bridge promises to be the museum’s largest ever art exhibition, and will feature art, photography and film from their own collections. This exhibition will cover all of London’s major bridges and is also free to attend.

Anne-Marie Nankivell
Library Assistant

096

Horticultural discoveries in Guildhall Library

126One would think that a volume offering the results of a series of experiments on the nutritional quality of animal fodder would be a book for the interested minority – not so as I recently discovered on a visit to our underground store. A colleague was shelf checking items from the Gardeners’ Company Library and called me over to take a look at this remarkable volume:

Hortus Gramineus Woburnensis: Or, An Account of the Results of Experiments on the Produce, and Nutritive Qualities of Different Grasses, and Other Plants, used as the Food of the more Valuable Domestic Animals: Instituted by John Duke Of Bedford; By George Sinclair

112

This 1st edition copy was published at the Duke’s expense in 1816.

The title page tells us that it is “Illustrated with dried specimens of the plants upon which these experiments have been made, and practical observations on their natural habits, and the soils best adapted to their growth; pointing out the kinds most profitable for permanent pasture, irrigated meadows, dry or upland pasture, and the alternate husbandry; accompanied with the discriminating characters of the species, and varieties.”

It is an example of ‘natural illustration’ i.e. the volume is illustrated with 123 dried specimens and 35 samples of seeds mounted on blank leaves. The Latin and English names are printed on small labels and attached to the illustration. This was a common way of labelling natural illustrations as it was simpler to allow plenty of space on the mount for variation in the size of the plants across the volumes.

151This ‘herbarium’ (collection of dried preserved specimens that document the identity of plants and fungi) is an early 19th century ecological experiment. The work was directed by Sinclair and was highly regarded by Charles Darwin who made use of it for his Origin of Species.

It is difficult to assess the Duke’s expectation of interest and sales of the volume. The Duke’s herbarium was attractive but not economically viable and later editions were printed with conventional illustrations.

It is not surprising that the production and the subsequent preservation of this type of volume presented challenges for bookbinders and conservators. Common problems with herbariums are distortion of the binding owing to the thickness of the specimens, keeping the specimens attached to the mount and staining from the plants resulting in a transferred image on the facing verso.

131Fortunately Hortus Gramineus Woburnensis is interspersed with tissue guards offering some protection to both plant and page. The tissue guards carry imprints from the plants and are also a feature of interest.

George Sinclair (1786-1834) was born in Berwickshire and his father and uncle were professional gardeners to the nobility. He superintended the gardens at Woburn Abbey for the Sixth Duke of Bedford for about seventeen years.

The sixth Duke went on to produce Salicetum Woburnense (1829) and Pinetum Woburnense (1839) with the assistance of his later Head Gardener, James Forbes.

George Sinclair went into business with Cormack & Son, nurserymen and seedsmen at New Cross. He became a fellow of both the Linnean Society and of the Horticultural Society.

The Library of the Worshipful Company of Gardeners has been housed at Guildhall Library since 1891. Library users are welcome to consult volumes from this library by signing in at the enquiry desk and showing proof of name and address (passport, utility bill, driving licence etc.) All of the Gardeners’ Library Collection can be found on the library catalogue at http://capitadiscovery.co.uk/cityoflondon/

Jeanie Smith
Assistant Librarian

New maritime e-resources

???????????????????????????????The Lloyd’s Marine Collection at Guildhall Library is among our most valued resources. We receive more e-mail and postal enquiries for this collection than for any other.

We are very pleased to announce that the library has some new online resources for maritime history researchers to complement the Lloyd’s collection.

Lloyd’s List & Lloyd’s List Intelligence
www.lloydslist.com & www.lloydslistintelligence.com

We are delighted to have subscription access to both Lloyd’s List and Lloyd’s List Intelligence. Both resources include a searchable, online archive back to 1997. This is great news for those of you whose vessel research requires shipping movements and marine news from 1997 onward. No more laboriously going through each issue on microfilm!

We were very sorry to see the demise of the printed version of Lloyd’s List in December 2013, especially as our collection goes back to the first (surviving) issue in 1741, so we are pleased to confirm that the archive continues in this new format (for use in Guildhall Library – proof of name and address required).

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Convoys Database
http://ww1.convoyweb.org.uk/guildhall/index.php

Guildhall Library has been honoured to host the work of the military historians who have given their time and knowledge to creating a database of the movements of World War Two Convoys. This work was begun in the 1980s by the late Arnold Hague (1930 – 2007); and has been continued by his associates.

Their invaluable work has only been accessible to staff members in the past, but has now been converted into an easily searchable website. Access to this resource is available in Guildhall Library only. We are very grateful for the generosity of researchers past and present and to the web master who willingly donated time and expertise in making this invaluable and accessible resource. We hope to expand and develop the site in the future so do look out for announcements.

ArcticStar

Ship Index
www.shipindex.org

We have subscribed to the premium version of this database and it is available not only to users within Guildhall Library but remotely for members of City of London Libraries.

The site now contains nearly 2.8 million citations compiled from indexes for books, journals, websites and other resources. Over 85% of the citations link to the full text, either through Google Books or to online resources and the vessel search is particularly useful for locating photographs of ships.

The citations also link to library catalogues helping you to locate material not available digitally.

Lloyd's list

Don’t forget to explore our Ebsco Discovery Service. With a City of London Library Card you can search in the library or at home for books, articles and reviews on maritime subjects using EBSCO, JSTOR and Oxford Reference. You can see a complete list and find an online form for joining the library at: http://capitadiscovery.co.uk/cityoflondon/assets/-/onlineref.html

We are committed to developing tools to help users to access our collections and we have been fortunate to have a dedicated group of volunteers who have completed some great work over the years, including putting over 250,000 voyage record cards which were in 6 chronological sequences into one alphabetical run!

The benefits of their labour and commitment are also felt by the many people who use Guildhall Library’s unique index to Lloyd’s List Marine News 1740 – 1837, freely available on our website: https://www.cityoflondon.gov.uk/lloydslist/

In the coming years we hope to be able to make further indexes to Board of Trade Reports and Inquiries and other material available and our volunteers are currently working on an index to marine news in Lloyd’s List covering the 1920s to the 1970s. The task will take some time and we are grateful for all of our (past and present) volunteers’ hard work over many hours.

For more information and guides about the Lloyd’s Marine Collection see http://www.cityoflondon.gov.uk/things-to-do/visiting-the-city/archives-and-city-history/guildhall-library/collections/Pages/Maritime-history.aspx
If you have any queries about access to any of these resources see the enquiry desk or e-mail us guildhall.library@cityoflondon.gov.uk

Jeanie Smith
Assistant Librarian

LR 1921-2